Process @ 01 March 2010, “3 Comments”

Paper Value

A Norwegian researcher, Anne Mangen, wrote an interesting paper in the Journal of Research in Reading, asserting that screen reading and page reading are radically different. “The feeling of literally being in touch with the text is lost when your actions – clicking with the mouse, pointing on touch screens, or scrolling with keys or on touch pads – take place at a distance from the digital text, which is, somehow, somewhere inside the computer, the e-book, or the mobile phone,’’ Mangen writes.

Her conclusion: “Materiality matters. . . . One main effect of the intangibility of the digital text is that of making us read in a shallower, less focused way.’’

http://www.boston.com/ae/media/articles/2009/06/19/paper_vs_computer_screen/

The materiality of paper takes on a extended meaning due to its experience. The knowledge that is contained with in a book is not singularly wrapped up in the words on the page. From psychology class in college at Colorado State University, I remember my teacher telling us that our brains formulate knowledge and recall through repeating similar experiences under which that knowledge was learned. For example if you are juiced up on coffee while you study for a test you should be juiced up on coffee during the test because the brain associates the experience of the learning along with the recall of that information. Similarly you might be able to recall a story in a book more vividly when the same circumstances are repeated. The engagement of content influences our learning and subsequent recall. Therefore the reading of a book is learned through the experience of the pages.  Knowledge that is engaged in the physicality of pages is then linked with that experience. Pages then become essential to formulation of knowledge within a book.

Media critic William Powers wrote a defense of physical bound literature in his essay, “Hamlet’s BlackBerry: Why Paper Is Eternal,’’  Mr. Paper – he not dead, Powers wrote: “There are cognitive, cultural, and social dimensions to the human-paper dynamic that come into play every time any kind of paper, from a tiny Post-It note to a groaning Sunday newspaper, is used to convey, retrieve, or store information.’’

Paper will never die, Powers concluded: “It becomes a still point, an anchor for the consciousness. It’s a trick the digital medium hasn’t mastered – not yet.’’

http://www.scribd.com/doc/3562724/Hamlets-Blackberry-Why-Paper-Is-Eternal

The digital medium has been attempting to replace the piece of paper and it has been around the corner in terms of technology since technology began. Now what if the digital medium and the physical medium where equal? When paper and computer work together seamlessly then paper takes on an added functionality with the computer.

The digital textbook?

With students doing so much of their reading assignments through the screen instead of on book or paper formats, it’s important for educators to determine how the shift is altering their habits and learning. The research is just beginning, but it’s getting deeper, an article in the Journal of Research in Reading (2008, pp. 404-419) by Anne Mangen,  “Hypertext fiction reading: haptics and immersion.” Mangen notes the growing sub-field of screen reading studies, but finds that the “intangibility and volatility of the digital text” remain under-examined.  She focuses first, then, on the material nature of digital and non-digital reading experiences. “Unlike print texts,” she writes, “digital texts are ontologically intangible and detached from the physical and mechanical dimension of their material support, namely, their computer or e-book (or other devices, such as the PDA, the iPod or the mobile phone” (405).

This is important, she argues, because “materiality matters.” The reading experience includes manual activities and haptic perceptions (what the skin and muscles and joints register), and so as activities and perceptions of that kind are changed from one kind of reading experience to another because of the object, the reading experience, too, will change.

http://chronicle.com/blogPost/Screen-ReadingPrint-Re/8551/

So if materiality matters in the delivery of content especially reading material, then it would be arguable that to remove the materiality of paper from the reading experience would fundamentally alter that exchange. Screen engagement has become a reality in modern times but the advantages of the screen have forced its usability right next to the book forcing them to go head to head. I have chosen to regard these experience as different and explore a way to bridge the difference between experiences. As use of screen based devices increases, the need for physical interaction with objects like books will become essential in the recombination of content delivery. I believe users should not have to exchange one experience for the other in order to engage in the content the way they would like. Many things in this world have multiple experiences and with the linking physical and digital is opens up a strategy and platform for making printed content and digital content work together.

John Locke said, “reading furnishes the mind only with materials of knowledge; it is thinking that makes what we read ours.” Thinking can be greatly enhanced through digital means of networking so making paper and computer work together will greatly enhance the opportunity to make reading our again.

check out thesis website : Marginalia: The Hybrid Textbook

Ideas @ 02 December 2009, “No Comments”

Conductive Marginalia from Chris R Becker on Vimeo.

The video prototype concept utilizes the conductive inks I have been experimenting with to generate interactive switches that are designed with in the margins of the narrative. The conductive switches illicit the context of the footnote for the narrative. The switch both lights up an embedded LED in the page and also triggers a screen / projection / smart phone message that could be accessed simultaneously through out the narrative. The content is a short story from David Foster Wallace’s Interviews with Hideous Men : Suicide as a Sort of Present. David Foster Wallace is an author the has utilized the footnote context annotation through out his body of work especially Infinite Jest

check out thesis website : Marginalia: The Hybrid Textbook

Ideas @ 16 November 2009, “No Comments”

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Engaging users with an interaction is a difficult process. I am attempting to engage users in natural mapped interactions through iconography the associats a particular action of touch. Natural mapping is a term for the proper and natural arrangements for the relations between controls and their movements to the outcome from such action into the world. Like that of a door knob or a book.The real function of natural mappings is to reduce the need for any information from a user’s memory to perform a task. This term is widely used in the areas of human-computer interaction (HCI) and interactive design discussed in Donald Norman’s book : The design of Everyday Things.

check out thesis website : Marginalia: The Hybrid Textbook

Ideas @ 16 November 2009, “No Comments”

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Through out my experimentation with conductive inks and screen printing, I have started to try and engage the user in interaction with the tangible printed artifact. Paper and ephemeral material is inherently tangible and physical you can bend it, tear it, crinkle it, touch it plus it has a texture a quality and a materiality very unique to its form. Unique to the conductive inks is there ability to engage a user. The current experiment is a test to see if certain form structures are inherently engage-able.  With out any signage does a user know to touch the paper and interact with the strips.  This experiment utilizes the nature the higher contact equals a brighter light.

check out thesis website : Marginalia: The Hybrid Textbook

Ideas @ 09 November 2009, “No Comments”

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Now the conductive inks that I have made work, I have started to dive into breaking the perception of what a circuit should be and should look like. With the addition of user interaction, turning a light on becomes more interesting and engaging. The earlier experiments are mostly a process of seeing and thinking about paper differently, this is a experiment into giving paper an added interaction through the conductive ink and the simple switches.  The form of the conductive lines are skewing the efficiency ideas associated with circuit board design, and the interaction allows the user to piece together the shapes of both the form and of the shape the lights make.

check out thesis website : Marginalia: The Hybrid Textbook

Ideas @ 08 November 2009, “No Comments”

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Now that I have gotten an ink that can conduct an current over a relatively decient distance, I have started to play with the notion of what can a circuit look like. Can it be anything you want it to be as long as there is a positive and negative in and out. Can the form start to speak about it functionality, can the forms be unique and artistic rather than function based. Most circuitry disappears and becomes invisible. To most who use electronics and understanding of the work, skill, craft, and planning that has gone into a majority of the things they operate on a daily basis is pretty minimal. Electronics work and we rarely pay attention until they stop working. An interest in involving conductive ink is to challenge the expectation and visibility of otherwise invisible things. The mixed media piece of conductive ink, copper tape on paper is an experiment into changing and evaluating the expectations of electronic conductivity and use.

check out thesis website : Marginalia: The Hybrid Textbook

Ideas @ 08 November 2009, “No Comments”

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I finally have had some success with screen printing conductive ink or my own concoction. The image is a picture of a mixed media experiment with screen printed graphite based conductive ink and copper tape for power and light source.  The form of the line printed in the conductive ink is the shape of a book spine based RFid. The RFid market is one of the largest outcomes of printed circuitry but the implications of “big brother” tools leaves the novice and consumer out of the loop. My experimentation into conductive inks has not been rooted in invention but rather in the exploration space and thinking that I have now started to give paper. The question of networked, self aware and linked paper artifacts could be a possibility through RFid or other circuitry based functionality. My ability to get a screen printed line to be reactive to electricity has helped my pursuit into thinking about paper in a new and unique ways. The ability to make paper an interface is now a distinct possibility.

check out thesis website : Marginalia: The Hybrid Textbook

Process @ 05 November 2009, “No Comments”

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“It’s just stuff on a piece of paper, or canvas” – Tony Zepeda.

My Printmaking teacher Tony Zepeda likes to explain that ink, paint, chemicals, materials etc is all just stuff the interest is where that stuff makes meaning. The artist and designers role is to use the materiality, ink, image, typography, and meaning space.

Ink is just stuff, it can become a paint, or a printer ink, or a screenprinting ink, or a pen ink, or a drawing ink the final form outcome is less import than the fact that it possesses a new and unique quality that before in making and design inks have otherwise not and that is the ability to conduct and be linked and connected to its technological brethren.

The intent of using and experimenting with conductive materials and inks was not to create a new ink, rather it is giving me the space and advantage of working with stuff to might make new meaning where other wise there hasn’t been. I see the potential of thinking about paper and the ink that gives it meaning a larger breath of influence. Paper has been divided from its digital counterpart but what if we starting to mold them together?

check out thesis website : Marginalia: The Hybrid Textbook

Ideas @ 03 November 2009, “No Comments”

100_2205The experimentation process with making my own conductive ink has been a process of thinking about what paper + ink could be when given conductive attributes? The power of giving ink conductivity to me is starting to be interesting when I start to use in as a mode of communicating its function. The ephemeral nature of paper and printed object start to change and become more interesting when digital affordances of awareness, networking, communication and delivery system come into play.

check out thesis website : Marginalia: The Hybrid Textbook

Ideas @ 02 November 2009, “No Comments”

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As I research and explore the ideas of conductive circuitry that could start to engage print media as a platform for interactive based computational experiences, I have started to explore the ideas of interactivity and affordance.

Interaction is based on the assumption that a user understands the applied action to accomplish a task. Something as simple as turning a light on can be made incredible complex by not hinting at learned and understood experiences. In Donald Norman’s book – “the design of everyday things” http://www.jnd.org/ he talks at length about the importance of visible interfaces and interaction parts know as natural mapping which comes from proper and natural arrangements for the relations between controls and their movements to the outcome from such action into the world. The real function of natural mapping is to reduce the need for any information from a user’s memory to perform a task. (http://en.wikipedia.org/wiki/Natural_mapping) Essentially when a user participates in a task that action is the out come of a plethora of learned, cultural and socio-economic process that have been ingrained into the users understanding.  The idea of natural mapping techniques allow things to be perceived as being intuitive. Objects that need no prior instruction. With contemporary electronics the cultural and social economic inundation of computation has started to become learned and performed by cultures at an extremely high rate and at younger and younger ages. The importance of this technology revolution is that artifacts like the cell phone etc have started to be perceived as naturally mapped artifacts with interactions not that unfamiliar to a user than the interaction of a door or a tea kettle.

The question is are the interactions that we engage with our computational electronics the right interactions? Can we engage naturally mapped ideas from culture to engage new and innovative products that rather than force the user learn a new system, are engaged to the perceived natural mapped system?

check out thesis website : Marginalia: The Hybrid Textbook